2D animation, art, Cartoon - animation films, OSCAR

OSCAR Watch 2011

2011 Award Season Spotlight

Welcome to Animag’s special award season section, where you can read about all the highs and lows of the animated movies and shorts that are in the running for this year’s Oscars, Annies, Golden Globes, PGA, AFI and Visual Effects Society Awards. Here’s to all the talented men and women who are responsible for the dazzling list of 2011’s contenders. In our eyes, they are all winners, whether they take home the big trophies on those special nights or not!

Animated Features

With the potential to nab five nomination spots instead of just three this year, the toon industry is sure to see a wider variety of films vying for the Best Animated Feature award come Oscar time—but which of the 2011 releases will be leading the pack, and which will be left in the dust? Here are our recaps (and pre-caps!) of the possible contenders and their chances of trotting into the winner’s circle:

The Adventures of Tintin: Secret of the Unicorn

Studio: Paramount
Director: Steven Spielberg
Release Date: December 23
Pros: Spielberg. Jackson. Hergé. What more can you want out of a budget-busting, performance-capture CG 3-D spectacular (which, fingers crossed, will launch a trilogy)? Critics were mighty impressed with what they saw at a European press screening this month, praising the film’s scope, action and realistic-yet-stylized animation. One French writer even said the movie might be Spielberg’s masterpiece!
Cons: Any time a beloved character is dropped into a new medium, there will be grumbling. We heard it with the Smurfs. We heard it with Alvin and the Chipmunks. Don’t even get us started on what we heard about Garfield, OK? Some will be turned off no matter what! Others are still debating over the fact that performance capture technology should not really be judged in the same category as totally animated movies.

Alois Nebel

Studio: Negativ in assoc. with Czech TV, Tobogang, Pallas Film
Director: Tomás Lunák
Release Date: TBA
Pros: Widely hailed as one of the most striking films of the year, this dramatic rotoscoped effort is based on the comic trilogy by Jaroslav Rudiš and Jaromír 99 about a Czech train dispatcher living in a small village in the 1980s who begins to suffer hallucinations linked to the post WWII expulsion of Germans from the country. Czech Rep. has even tossed this hat into the Best Foreign Language Film ring—if nominated, it will be the first toon in that category since 2008’s Waltz with Bashir.
Cons: While the artistry and atmosphere of Alois are not lacking in praise, critics have pointed out that the film may be too particularly Czech—too specific to the country’s history and a central European world view. Academy members might be hard pressed to truly identify with this dramatic work.

Alvin and the Chipmunks: Chipwrecked

Studio: Fox
Director: Mike Mitchell
Release Date: December 16
Pros: The new CG/live-action hybrid adventure finds the Chipmunks (and the Chipettes) stranded on a not-so-deserted isle after a cruise ship mishap. Mitchell, the director of Shrek Forever After, gets to exercise his comedy muscles with Jason Lee as Dave Seville and Arrested Development‘s David Cross in this third installment
Cons: The Chipmunks films have done quite well for themselves at the box office, so rest assured that some of your friends (especially the ones with tots in tow) will be psyched for this holiday release—but so far critics haven’t been too kind to the little rodents. And there is the eternal question of whether hybrid flicks should qualify as animated features.

Arthur Christmas

Studios: Aardman/Sony
Directors: Sarah Smith; co-director Barry Cook
Release Date: November 23
Pros: We don’t know any toon fans who don’t squeal with glee at the announcement of a new Aardman project, and those in the know are curious how to see how their first effort under their new agreement with Sony turns out. The 3-D CG, sci-fi holiday story stars James McAvoy, Hugh Laurie, Jim Broadbent, Bill Nighy, Imelda Staunton and Ashley Jensen.
Cons: Please forgive us, O Grand Creators of Wallace & Gromit, but it’s gotta be said: A Christmas flick (or any holiday film) may be a tough sell for the older Academy voters, and truth be told, die-hard Aardman fans seem to be more excited about next spring’s real stop-motion movie, The Pirates! Band of Misits. If memory serves, Aardman’s last CG-animated movie Flushed Away didn’t take the big Oscar home either.

Cars 2

Studio: Disney-Pixar
Director: John Lasseter; co-director Brad Lewis
Release Date: June 24
Box Office to Date: $551 million [$190 million]
Pros: Disney-Pixar has had an unadulterated four-year run of claiming the Best Feature prize, and the second Cars outing hit the right notes at the box office thanks to the popularity of the characters, globe-trotting (driving?) storyline and impeccable as ever animation.
Cons: Critics were somewhat disappointed by the sequel, noting that the heartfelt emotion and animated artistry that’s come to be expected of Pixar flicks was overwhelmed by the go-go action. While it had plenty of enthusiastic fans, it seems doubtful that this will be the Disney-Pixar offering to cross the finish line this year.

A Cat in Paris

Studios: Folimage/France 3/Rhône-Alpes/GKIDS
Directors: Alain Gagnol, Jean-Loup Felicioli
Release Date: TBA
Box Office to Date: $1.2 million [France]
Pros: This graphically distinct 2D tale of a Parisian cat whose double lives puts his owner in peril when the girl decides to follow him on his night-time adventures has won over critics and festival audiences the world over. Long-time collaborators Gagnol and Felicioli have been honored with nominations at the European Film and César Awards—the Oscar nod can’t be much of a stretch!
Cons: With a release date yet to be set, Cat might get caught up in the clutter of late-season entrants vying for qualifying runs for a shot at Oscar glory. For an indie film from a foreign producer, the frantic pace might keep Academy members from savoring this offering enough to remember it come ballot time. At the least, it will have to out-do Spanish production Chico & Rita for the token foreign nomination slot.

Chico & Rita

Studios: Magic Light Pictures/Luma Films/GKIDS
Directors: Fernando Trueba, Javier Mariscal
Release Date: TBA
Pros: This expertly crafted digital 2D film won over critics with its emotional story line, artisanal attention to detail in the locales and eras it spans and impeccable music laced with the rhythms of Cuba and free-wheeling jazz notes. It even took home the Goya Award for Best Animated Film this year.
Cons: While the cream of the foreign-produced indie crop is usually honored with a nomination come Oscar season, we have yet to see one take home the statuette. Chico may sadly join the ranks of The Illusionist, Persepolis, The Secret of Kells and other beautiful films that went home empty-handed.

Gnomeo & Juliet

Director: Kelly Asbury
Release Date: February 11
Box Office to Date: $190 million [$100 million domestic]
Pros: Disney’s “sleeper hit” of the year shows its toon pedigree, with Starz animation deftly sculpting the film under Asbury (Shrek 2). The film ranked well its opening weekend, and you can’t beat a soundtrack featuring an Elton John (who served as producer) and Lady Gaga duet.
Cons: While a fun romp and good family fare, critics found the film a bit too reliant on its gimmick. However, many found the central romance quite charming in a “You can tell everybody this is your song” kind of a way.

Happy Feet Two

Studios: Dr. D/Warner Bros.
Director: George Miller
Release Date: November 18
Pros: Who doesn’t love penguins? Especially plucky, adorable little ones that find a way to solve their problems through the magic of dance? Miller (who directed Oscar-winning Happy Feet as well) has a great cast lined up for this 3-D adventure—returning stars Elijah Wood and Robin Williams, plus Carlos Alazraqui, Jeffrey Garcia, Hugo Weaving, Sofia Vergara, Pink, even Brad Pitt and Matt Damon as (doubtlessly dreamy) krill.
Cons: Lightning rarely strikes twice at the Best Animated Feature racetrack. Perhaps the penguin crew will give Rio‘s parrots something to squawk about—or this encore performance might leave audiences disenchanted like most of the year’s sequel offerings. We’ll have to wait for the Holiday Season box office buzz to know!

Hoodwinked Too!: Hood Vs. Evil

Studio: Weinstein Co.
Director: Mike Disa
Release Date: April 29
Box Office to Date: $16.9 million [$10.1 million]
Pros: The sequel to 2005’s CG fairy tale spoof upped the animation ante with a broader world and more awesome action (in 3-D!) that paid tribute to top blockbusters from the live-action world. Hayden Panettiere lead a top notch cast—Glenn Close, Patrick Warburton, Joan Cusack, Martin Short, Brad Garrett, Cheech & Chong…the list goes on.
Cons: Despite pushing the action/animation envelope, most critics felt the sequel sacrificed the charm of the original outing. In the crowded nominations race, Red and her crew will probably sit this one out on the indie toon bench.

Kung Fu Panda 2

Studio: DreamWorks/Paramount
Director: Jennifer Yuh Nelson
Release Date: May 26
Box Office to Date: $663 million [$165 million]
Pros: Technology advances (and stereo 3-D) helped expand the magical ancient Chinese world of Po the panda and his Furious Five cohorts, and the film’s sweeping animated scale won nods of approval as did the star-powered voice cast (lead by Jack Black) and slightly dark tones attributed to exec producer Guillermo del Toro’s influence. Oh, and it’s the 49th highest grossing film of all time and top grossing woman-directed film!
Cons: While Po and his kung fu crew have a loyal fan base, the Academy is notoriously averse to giving the top honor to a sequel, tending to favor break-out original stories. Panda might have to wait for fond farewell Award a la Toy Story 3.

Mars Needs Moms

Studios: ImageMovers/Disney
Director: Simon Wells
Release Date: March 11
Box Office to Date: $38.9 million [$21.4 million]
Pros: Wells (The Time Machine, The Prince of Egypt) had a well honed cast to work with—Seth Green, Joan Cusack, Dee Bradley Baker, etc.—and used them well along with the digital might of producer Robert Zemeckis’ ImageMovers studio to bring Berkeley Breathed’s popular book to life. Not to mention a $150 million budget.
Cons: While many praised the cast performances, the film’s critical reception was largely, well, critical. Most felt the story had been neglected in favor of the 3-D performance-capture spectacle—which tipped too closely to the “uncanny valley” for some tastes. The disappointing BO performance sounded the death knell for ImageMovers, so don’t hold your breath for Polar Express 2 either.

Puss in Boots

Studios: DreamWorks/Paramount
Director: Chris Miller
Release Date: October 28
Pros: Antonio Banderas returns as the swashbuckling feline who, quite frankly, stole the show in Shrek 2. Giving the character his own vehicle to explore his roguish back story with a fresh look (in 3-D), new friends and foes and some sizzling Latin flair may be enough to perk up the Academy’s whiskers.
Cons: The franchise has been well represented at the Oscars, with Shrek winning in 2001 and its sequel nominated in 2004. Puss will have to really stand out from its mother-films for the Academy to grant one of its coveted nomination spots—especially with yet more Shrek films in the works.


Studios: ILM/Paramount
Director: Gore Verbinski
Release Date: March 4
Box Office to Date: $243 million [$123 million]
Pros: ILM’s first feature animation outing rightly wowed critics and audiences with its rich (if gritty) look, A-list cast and sly nods to classic Westerns. Johnny Depp proved his chops playing the titular lizard and earned a Teen Choice Award for his efforts—and teenagers know everything.
Cons: Some audiences (and critics) didn’t know what to make of a cartoon animal film in which few characters are fluffy and almost none are adorable. While a strong premiere effort, Verbinski’s cowboy homage might be swept aside in favor of franchise flicks.


Studios: Blue Sky/Fox
Director: Carlos Saldanha
Release Date: April 15
Box Office to Date: $484 million [$144 million]
Pros: The bright colors, festive sounds and sights of Carnival dazzled audiences and critics, who praised the animation and catchy music influenced by the film’s South American setting. The Blue Sky crew is old hat at creating visually enchanting family adventures, and this latest effort places another feather firmly in that cap.
Cons: As so often befalls those contenders not produced by Pixar, it seems the loudest complaint about the Fox flick is that it … isn’t from Pixar. Like a fussy child tasting an exotic dish, will the Academy spit this one out and demand a familiar flavor?

The Smurfs

Studio: Sony
Director: Raja Gosnell
Release Date: July 29
Box Office to Date: $533 million [$139 million]
Pros: Comedy vets Neil Patrick Harris and Hank Azaria lead a celeb-packed cast which includes Jonathan Winters, Fred Armisen, Alan Cumming, George Lopez, Jeff Foxworthy, Kenan Thompson, Paul Reubens—and even pop star Katy Perry and Wolfgang Puck lend their voices to spunky Smurfs. The magic-meets-Manhattan story offered something for everyone, and won big at the box office.
Cons: Is it really an animated film? Did we love the film, or just seeing those cute little blue dudes on the big screen? Can a film starring Katy Perry ever truly deserve an Oscar? The debate rages on. While the bouncing baby crowd came out in droves to see it, a film that garners reviews like “not torturous” and “surprisingly tolerable” isn’t exactly a strong bet.

Winnie the Pooh

Studio: Disney
Directors: Stephen J. Anderson, Don Hall
Release Date: July 15
Box Office to Date: $33.2 million [$26.7 million]
Pros: Viewers raved about the gentle, nostalgic charm of this film, and applauded Disney’s return to hand-drawn animation lovingly crafted by Disney vet Burny Mattinson, who lead a team of top artists as key animator. The sweet family fare was well received and made for a very refreshing summer treat.

While Pooh was a calm stroll down memory lane for so many, the soft story that so perfectly matched the soft animators’ touch might lack the necessary “edge” that separates a good film from an Oscar-worthy film—but a nomination nod would still be fitting.

Wrinkles (Arrugas)

Studio: Perro Verde Films
Director: Ignacio Ferreras
Release Date: TBA
Pros: Another brilliant animated take on a gripping graphic novel! This one is based on the tale by Paco Roca about the friendship between two elderly men living in a retirement home, one of whom is suffering the early stages of Alzheimer’s disease. Perro Verde has delivered a moving, poignant exploration of a very difficult topic and the film has been well received by festival audiences around the world.
Cons: Wrinkles faces stiff competition from another Spanish production, Chico & Rita, to nab a coveted nomination spot. One can never say how far the Academy will go in wanting to acknowledge more serious animated stories. It could be the difficult subject matter pushes this film to the finish line, or Oscar might prefer to go home with a pair of doomed jazz-loving lovers.

Animated Shorts

December 1, 2011 by Ramin Zahed

The Academy of Motion Picture Arts and Sciences today announced that 10 animated short films will advance in the voting process for the 84th Academy Awards. Forty-four projects had originally qualified in the category.

The 10 films are listed below in alphabetical order by title, with their production company:

Dimanche/Sunday Dimanche/SundayPatrick Doyon, director (National Film Board of Canada)
The Fantastic Flying Books of Mr. Morris Lessmore The Fantastic Flying Books of Mr. Morris LessmoreWilliam Joyce and Brandon Oldenburg, directors (Moonbot Studios LA, LLC)
I Tawt I Taw a Puddy Tat I Tawt I Taw a Puddy TatMatthew O’Callaghan, director and Sam Register, executive producer (Warner Bros. Animation Inc.)
La Luna La LunaEnrico Casarosa, director (Pixar Animation Studios)
Luminaris LuminarisJuan Pablo Zaramella, director (JPZtudio)
Magic Piano Magic PianoMartin Clapp, director and Hugh Welchman, producer (BreakThru Films)
A Morning Stroll A Morning StrollGrant Orchard, director and Sue Goffe, producer (Studio AKA)
Paths of Hate Paths of HateDamian Nenow, director (Platige Image
Specky Four-Eyes Specky Four-EyesJean-Claude Rozec, director and Mathieu Courtois, producer (Vivement Lundi!)
Wild Life Wild LifeAmanda Forbis and Wendy Tilby, directors (National Film Board of Canada)

The Short Films and Feature Animation Branch Reviewing Committee viewed all the eligible entries for the preliminary round of voting in screenings held in New York and Los Angeles. Short Films and Feature Animation Branch members will now select three to five nominees from among the 10 titles on the shortlist. Branch screenings will be held in Los Angeles, New York and San Francisco in January 2012.

The 84th Academy Awards nominations will be announced live on Tuesday, January 24, 2012, at 5:30 a.m. in the Academy’s Samuel Goldwyn Theater. The Awards will take place on Sunday, Feb. 26, 2012 at the Kodak Theatre at Hollywood & Highland Center, and televised live by the ABC Television Network.

November 15, 2011 by Ramin Zahed

Last weekend, the Academy screened the 45 projects that were submitted for Best Animated Shorts consideration. Members of the Shorts and Animation branch of the Academy will vote for the 10 titles to be included on the short list and we will finally learn about the final five nominees with the rest of the contenders on Jan. 24.

Here is the list of the submitted shorts, which is a healthy mix of shorts produced by studios such as Disney, Pixar, Sony Pictures Animation and Warner Bros., international entries from Studio AKA, Platige Image, BreakThru Films, Human Ark, Axis Animation, National Film Board of Canada and submissions from indie animators such as David Levy, David Chai and Koji Yamamura:

  • A Morning Stroll by Grant Orchard (Studio AKA)
  • A Shadow of Blue by Carlos Lascano
  • Birdboy by Alberto Vasquez (Abrikim Studio)
  • Chopin’s Drawings by Dorota Kobiela (BreakThru Films) Poland
  • Correspondence by Zach Hyer (Pratt)
  • Daisy Cutter by Enrique Garcia and Rubin Salazar (Silverspace)
  • Dimanche / Sunday by Patrick Doyon (NFB)
  • El Salon Mexico by Paul Glickman and Tamarind King
  • Enrique Wrecks the World by David Chai
  • Ente Tod Und Tulipe (Duck Death and the Tulip) by Matthias Bruhn (Richard Lutterbeck – Trickstudio)
  • Fat Hamster by Adam Wyrwas (BreakThru Films) Poland
  • Grandpa Looked Like William Powell by David Levy
  • Hamster Heaven by Paul Bolger (BreakThru Films) Poland
  • I Tawt I Taw a Puddy Tat by Matt O’Callaghan (Warner Bros.)
  • I Was the Child of Holocaust Survivors by Anne Marie Fleming (NFB)
  • Ingrid Pitt: Beyond the Forest by Kevin Sean Michaels USA
  • Kahanikar by Nandita Jain (National Film and Television School) England
  • La Luna by Enrico Casarosa (Pixar)
  • Little Postman by Dorota Kobiela (BreakThru Films) Poland
  • Luminaris by Juan Pablo Zaramella (JPZaramella Studios)
  • Luna by Donna Brockopp (Rainmaker) Canada
  • Maska by Timothy and Stephen Quay (Sem-ma-for) Poland
  • Muybridge’s Strings by Koji Yamamura
  • My Hometown by Jerry Levitan, Written and Narrated by Yoko Ono (Eggplant)
  • Night Island by Salvador Maldonado (BreakThru Films) Poland
  • Nullarbor by Alister Lockhart
  • Papa’s Boy by Leevi Lemmetty (BreakThru Films) Poland
  • Paths of Hate by Damien Nenow (Platige Image) Poland
  • Romance by George Schwizgebel (NFB & Studio GDS)
  • Specky Four-Eyes by Jean Claude Rozec (Vivement Lundi)
  • Spirits of the Piano by Magdalena Osinska (BreakThru Films) Poland
  • Thank You by Pendleton Ward and Thomas Herpich (Produced by Cartoon Network Studios in partnership with Frederator)
  • The Ballad of Nessie by Stevie Wermers (Walt Disney Studios)
  • The External World by David O’ Reilly
  • The Fantastic Flying Books of Mr. Morris Lessmore by William Joyce and Brandon Oldenburg (Moonbot Studios)
  • The Gloaming by Nobrain (Autour De Minuit) France
  • The Lost Town of Switez by Kamil Polak (Human Ark) Poland
  • The Magic Piano by Martin Clapp (BreakThru Films) Poland
  • The Monster of Nix by Rosto
  • The Renter by Jason Carpenter (CalArts)
  • The Smurf’s A Christmas Carol by Troy Quane (Sony Pictures Animation)
  • The Tannery by Iain Gardner (Axis Animation)
  • The Vermeers by Tal S. Shamir
  • Vincenta by Samuel Orti Marti
  • Wild Life by Amanda Forbis & Wendy Tilby (NFB)

Although the 45 shorts which have been qualified for this year’s Academy Awards have been announced already, this is a list we compiled from all the projects that have won awards at festivals around the world this year.

Big Bang Big Boom

Director: Blu [Italy]
Synopsis: Argentine artist Blu’s trademark stop-motion graffiti technique depicts an “unscientific” perspective on the beginning, evolution and probable end of life.
Qualifying Win: Special Jury Award (Annecy Festival Int’l du Cinéma d’Animation)


Director: Kirsten Lepore (U.S.)
Synopsis: Shot on location, Lepore’s latest stop-motion effort tells the bittersweet story of two characters—a lump of sand and a pile of snow—who form a transoceanic friendship trading objects in a bottle.
Qualifying Wins: Best Animated Short (Florida Film Festival); Sparky Award for Best Animated Short (Slamdance Film Festival)

Brick Novax’s Diary, Pt. 1 & 2

Director: Matt Piedmont [U.S.]
Synopsis: The first two parts of Piedmont’s four-parter puppet miniseries for HBO’s Funny or Die Presents find Brick Novax preserving his tales of adventure to secure his reputation as the coolest guy in the world.
Qualifying Win: Jury Prize in Short Filmmaking (Sundance Film Festival)

La Bruxa

Director: Pedro Solís García [Spain]
Synopsis: In 3D artist García’s directorial debut, an old witch searches for love at any cost.
Qualifying Win: Goya Award for Best Short Animation (Academia de las Artes y Ciencias Cinematograficas de España)


Director: Zach Hyer [Pratt Inst., NY]
Synopsis: A CG-animated tale set in an undefined war, the film explores issues of power abuse and control as the main character risks his life for a frivolous cause.
Qualifying Win: Student Academy Award – Gold Medal (Academy of Motion Pictures Arts and Sciences)


Directors: Bernardo Warman, Shaofu Zhang, Lisa Allen [Academy of Art Univ., CA]
Synopsis: An epic battle for love and honor unfolds as three children become a princess, knight and dragon in their school play.
Qualifying Win: Student Academy Award – Gold Medal (Academy of Motion Pictures Arts and Sciences)

The Eagleman Stag

Director: Michael Please (U.K.)
Synopsis: This darkly comic stop-motion piece explores a man’s obsession with the quickening of time that faces us as we age, and his attempts to counter this effect.
Qualifying Wins: Best Short Animation (British Academy of Film and Television Arts); Best Animated Short Film (Los Angeles Film Festival); Grand Jury Prize – Animation (Seattle Int’l Film Festival)

Enrique Wrecks the World

Director: David Chai [U.S.]
Synopsis: Chai, an assistant professor at San Jose State University, lends a refreshingly hand-crafted feel to his 2D short in which Enrique learns that “actions speak louder than birds.”
Qualifying Win: First Place – Animation (USA Film Festival)

The External World

Director: David O’Reilly [Ireland/Germany/U.S.]
Synopsis: A menagerie of characters in a series of bizarre vignettes are woven together in this trippy CG critique of life and its inherent futility. At least, that’s our best guess.
Qualifying Wins: Yoram Gross Award for Best Animation (FlickerFest); Best Short Animation (Guanajuato Int’l Film Festival); Golden Gate Award – Animated Short (San Francisco Int’l Film Festival); Grand Prix – Int’l Competition (Stuttgart Int’l Animation Festival)

The Fantastic Flying Books of Mr. Morris Lessmore

Directors: William Joyce, Brandon Oldenburg (U.S.)
Synopsis: After a violent storm carries off his home, Mr. Morris Lessmore discovers a magical library full of very animated volumes in this CG charmer.
Qualifying Wins: Best Animated Short (Cinequest Film Festival); Best Animated Short Film (Cleveland Int’l Film Festival); Best of Show (SIGGRAPH Computer Animation Festival)

Hand Soap

Director: Kei Oyama [Japan]
Synopsis: An adolescent boy’s insecurity, body obsession and ill-at-ease family are reflected in details and objects that occasionally take on a life of their own.
Qualifying Win: Chris Frayne Award for Best Animated Film (Ann Arbor Film Festival)

Kahānikār (The Storyteller)

Director: Nandita Jain [U.K.]
Synopsis: Based on a myth from Southern India, the film explores Nirmala’s relationship with her grandfather, who struggles to recall the details of her favorite story, leading her to take on the role of storyteller.
Qualifying Win: Best Animation (LA Shorts Fest)

Lipsett Diaries (Les Journaux de Lipsett)

Director: Theodore Ushev [Canada]
Synopsis: The haunting hand-painted film explores the troubled life of Canadian experimental animator Arthur Lipsett, who committed suicide in 1986.
Qualifying Win: Genie Award for Best Animated Short (Academy of Canadian Cinema & Television)

The Little Boy and the Beast

Directors: Johannes Weiland, Uwe Heidschötter
Synopsis: In this sweet CG animated short from Studio Soi, a young boy deals with the tribulations of having one’s mother suddenly transformed into a monster. The project was commissioned by German kids channel KI.KA.
Qualifying Win: Special Jury Award – Animation (New York Int’l Children’s Film Festival)

The Lost Town of Switez

Director: Kamil Polak [Poland/Canada]
Synopsis: Inspired by art of the Middle Ages and 19th century Slavonic paintings, this epic tale of a man’s journey to heroism was crafted with a unique blend of CG techniques and traditional animation in oils.
Qualifying Win: Best Animation (Palm Springs Int’l Shortfest)

Marcel the Shell with Shoes On

Director: Dean Fleischer-Camp [U.S.]
Synopsis: Equal parts adorable and semi-tragic, this stop-motion short takes us into the world of Marcel the Shell with Shoes On (voiced by co-writer and former SNL member Jenny Slate) as he shares facts about his tiny existence.
Qualifying Win: Grand Prize Short (New York Int’l Children’s Film Festival)


Director: Stephen Irwin [U.K.]
Synopsis: Irwin’s trademark smudgy, Noir-ish digital/traditional 2D technique brings us the tale of a pyromaniac bear who misses his mother.
Qualifying Win: Grand Prize for Best Independent Short Animation (Ottawa Int’l Animation Festival)


Director: Alister Lockhart; co-director Patrick Sarell [Australia]
Synopsis: This CG tale from Aussie outfit The LampShade Collective packs the stresses of road rage, nicotine withdrawal and generational conflict into a journey along Australia’s longest, straightest desert road.
Qualifying Wins: Holmesglen Award for Best Animation Short Film (Melbourne Int’l Film Festival); Yoram Gross Animation Award (Sydney Film Festival)


Director: Patrick Jean [France]
Synopsis: Old-school videogame characters wreak CG havoc on live footage of New York in this techno-retro animation and fx showpiece.
Qualifying Win: Le Cristal d’Annecy (Annecy Festival Int’l du Cinéma d’Animation)

The Renter

Director: Jason Carpenter
Synopsis: Carpenter’s digital 2D tale draws from his childhood daycare experiences, centering on a young boy left at his grandmother’s house where a strange man rents a room.
Qualifying Win: Best Animated Short (Atlanta Film Festival)

Something Left, Something Taken

Directors: Max Porter, Ru Kuwahata [U.S.]
Synopsis: This dark comedy from Porter/Kuwahata’s Tiny Inventions mixed-media animation team documents a vacationing couple’s chance encounter with a man they believe to be the Zodiac Killer.
Qualifying Win: Best Animated Short (Nashville Film Festival)

Specky Four-Eyes

Director: Jean-Claude Rozec [France]
Synopsis: When little Arnaud learns he has to wear a pair of hideous, painful glasses, he find he much prefers the vague world of his nearsightedness, populated with fanciful creatures from his imagination.
Qualifying Win: Best Animation (Aspen Shortsfest)

The Tannery

Director: Iain Gardner (U.K.)
Synopsis: When Fox encounters the ghost of a rabbit, they develop an usual relationship. But when a Hunter prepares a pelt for market, and Fox learns of his connection to The Tannery.
Qualifying Win: Best Animated Short (Canadian Film Centre’s Worldwide Short Film Festival)

The Wonder Hospital

Director: Beomsik Shimbe Shim [S. Korea/U.S.]
Synopsis: A blend of CG animation and puppetry weave the surreal tale of a mysterious hospital where a girl’s desire for beauty sends her chasing around the hospital only to find an irreversible end.
Qualifying Win: Best Animated Short (South By South West)

Three for the Road

In addition to the qualifying festival winners profiled in this issue, the following three studio heavyweights are also likely to show up on the Oscar short list this year:

La Luna

Director: Enrico Casarosa
Synopsis: A young boy discovers his family’s unusual line of work in this wonderful short directed by Pixar’s gifted head of story.

The Ballad of Nessie

Directors: Stevie Wermers-Skelton, Kevin Deters
Synopsis: The legendary Loch Ness Monster and his best friend McQuack the Duck fight an evil land developer in this 2D Disney short.

I Tawt I Taw a Puddy Tat

Director: Matthew O’Callaghan
Synopsis: Using recordings by the legendary Mel Blanc, this new Looney Tunes short gives us a 3-D, CG take on the battle between Tweety Bird and Sylvester the Cat. Granny is voiced by the amazing June Foray.

The Visual Effects Race

Coming Soon!

For Your Consideration Ads


Vote for your favorites!


me, Office

Ốc len xào dừa, nghe nhạc ko em và hủ tíu mì gõ

Hôm nay là ngày  bạn tui đám cưới

Hôm  nay  là ngày  mà một người đờn anh 1 zợ 1 con ngàu  huýt sáo hoài 1 bài  happy birthday

Hôm nay là ngày  mà một người đờn anh một zợ chưa con nói nhỏ với Lai là tiền cafê KL để anh  trả

Hôm nay là ngày 1 con cáo  và 1 con Xanh  tự bai lại hỏi mềnh thix totoro hả

Hôm nay là ngày tui mẹc váy dài ơi là dài mào tréng

iem vô tư, iem ngây thơ.

Năm 25 tuổi

tui mừng SN không hay biết trước ngày sinh 21 ngày mấy tiếng…

Thương vá các tềnh iêu thầm lặng zà lớn tuổi của tui! =))

Book Review, comic

Book Review: Chúc Sức Khỏe

November 20, 2010 by Parka

Book Review: Chuc Su'c Khoe

Chuc Su’c Khoe is a travel sketch journal made by French artist Benoît Guillaume for his trip to Laos, Vietnam and Cambodia from 2006 to 2008. Through the sketches, he has managed to captured the way of life of people living there, the streets, the hustle, buildings and culture. The style is pretty sketchy with limited colours.

All the dialogue and captions are in French so you’ll probably get more out of the book if you know French.

You can check out more work at benoitguillaume.blogspot.com and benoitguillaume.org.

Chuc Su'c Khoe

Chuc Su'c Khoe

Chuc Su'c Khoe

Chuc Su'c Khoe

Chuc Su'c Khoe

Chuc Su'c Khoe

Chuc Su'c Khoe

Chuc Su'c Khoe

Chuc Su'c Khoe

Chuc Su'c Khoe

Chuc Su'c Khoe

Chuc Su'c Khoe

Chuc Su'c Khoe

Visit Amazon to check out more reviews.

If you buy from any links on the blog, I get a little commission that helps me get more art books to feature.

This book is available at:
Amazon.ca | Amazon.co.uk | Amazon.fr | Amazon.de

art, comic, Comic Contest, community, contest, illustration, painting, sketch & draw

“Design the Polish edition of your favorite book”

“Design the Polish edition of your favorite book”

For reference, check out the many examples of book cover design in Poland on 50 Watts. You could also dig through sites like Terry Posters.

First: $400 USD
Second: 1000 Polish Book Covers and Born Modern: The Life and Design of Alvin Lustig
Third: Pioneers of Spanish Graphic DesignJudges:
—Aleksandra and Daniel Mizieliński, editors of 1000 Polish Book Covers, founders of Hipopotam Studio, and book collectors
—Peter Mendelsund, book cover designer and the man behind Jacket Mechanical
—Will Schofield aka 50 Watts aka the guy writing this

Submission deadline: Friday May 20th
Artwork: jpgs, about 600 px wide, sent to 50wattsContest[at]gmail[dot]com
—The submission fee is zero dollars, made payable to the Ghost of Jan Lenica
—Does the title need to be in Polish? That would be really fun, wouldn’t it? (But if you can’t quite master Google Translate or the accents, don’t worry about it!)
—Who is eligible?: Anyone in the entire universe, not just Poland.
—What do you mean by the “Polish edition”? I’m asking you to create a fake cover in the style of the Polish book designers featured in this post and elsewhere on 50 Watts. Do I have a preference for styles from 1920 to 1985? I do, but don’t let that “cramp your style.”
—What is your ulterior motive? Pierogi endorsement.
—How to describe the contest to your friends to get them to submit: 50 Watts is a website giving $400 for a book cover design.

For an extremely literal example of what I’m talking about (and this is also where I got the idea for the contest), the Spanish illustrator Javier Olivares created a fake Polish book cover for one of his whimsical side-projects. The cover on the left is a real Polish book cover (I featured it in this post) and the cover on the right is Javier’s fake cover. Javier kept the title/author of the Polish book, something I DON’T want you to do. For this contest, I hope contestants will look at all the many styles of Polish book design featured on 50 Watts, and design a cover for their favorite book (if I was participating, I would design a cover for my favorite book Jakob von Gunten by Robert Walser) in one of those styles.

This post is also the last of a series on the incredible, I-can’t-believe-it-exists book 1000 Polish Book Covers. (The first post focused on the covers of Daniel Mroz, the second on 1970s-80s covers). Edited by husband-and-wife illustration/design team Aleksandra and Daniel Mizieliński of Hippopotam Studio, the book is a fat brick of inspiration (dimensions: 4-5/16″ x 6.5″ x 3″): 310 designers and illustrators, 1040 pages, 2.4 ounces, covering 100 years of Polish book cover illustration.

Here are some of my favorites.

1945, Franciszka Themerson, The Strange Duckie

1947, Franciszka Themerson, Mr. Tom Builds a Home

1954, Bohdan Bocianowski, The Good Soldier Svejk

1956, Janusz Stanny, The Lost World

1956, Jerzy Jaworowski, For the Young

1956, Jerzy Srokowski, The Story of Palemon the Pirate

1957, Jan Mlodozeniec, Tortilla Flat

1957, Janusz Stanny, My General

1957, Jerzy Tchorzewski, Smiles

1958, Andrzej Czeczot, Karol Xi’s Vision

1958, J. Zbijewski, The Life of Ants

1959, Ignacy Witz, Wedding in Atomice

1959, Stanislaw Zagorski, Hole in the Sky

1960, Adam Kilian, Dragon’s Battle

1961, Janusz Stanny, Brain Puzzles

1961, Jerzy Flisak, I Didn’t Tell You

1961 Konstanty Sopocko, Solaris

1962, Bohdan Butenko, And You Will Be an Indian

1963, Roman Cieslewicz, The Circus or the Emotions of Great-Grandparents

1963, Waldemar Andrzejewski, The Strange Case of Colonel P

1964, A.A.Kowalewski, The Enchanted Sound

1964, Barbara Pochwalska, The Battle on the Bzura

1964, Janusz Stanny, Past the Ninth Mountain Past the Ninth River

1964, Szymon Kobylinkski, Fables for Robots

1965, Jerzy Kepkiewicz, The Fourteen from Werbruta

1968, Franciszek Starowiejski, A Child Carried by a Bird

1968, Jerzy Jaworowski, The Little Feather

1971, Andrzej Strumillo, The fiancee from the Sea

(I actually featured this book before)

1974, Jozef Wilkon, Tiny

klbc, klbc is ms.K, me, Office


TT__________TT not only sadness today…

😦 And I have 2 months to become the perfect layout artist, ready for a new script…After 2 month, you’ll see a crazy girl =)) for creating Character Expression. I hope I could become some “Perfection limited” of  someone lives somewhere….

And ’cause you said “You will…” and ’cause of someone said that “If you couldn’t become who you want, then become who they need”…I try all my best…’cause myself and ’cause you thought so TT_________TT.

In the end of day, thank you so much for the question, it’s my thankful. Seem it’s not a very good at level in the begining but  not too bad, right? You know, I tried but nothing blink in my mind, have no any question! Stupid K :(( Empty mind.

>…< Take care and do your best (for both of us) 😦

– Everything is OK?

– It’s OK.



Tui đang học anh  zăn nin là xin lảu ai đọc cái nùi cùi  mía nài đừg cóa chửi tạu. Thấy sai  thì nói tui sửa y nhoa! Kám ơn đồg bào quan tem 😦

community, klbc, klbc is ms.K, me

Búp ơi, em có còn ở trên cành?

Ba đi ngang phòng zà hỏi:

“Nài sách con có cái nào bỏ không thì đưa đây!”

Ta nói hết chiện chọc, chọc zào đúng chiện sách zở. Nhìn cái đống rác này đi, tui chưa hề zứt lấy 1 cái bịch nilon nói chi là cuốn sách! Thiệt là ….grao grao

“Không, sách con không có bỏ cuốn nào hết ah, rác con còn không zụt, sách sao con zụt được” – cáu

“Ờ thì tại ba làm tủ sách thanh niên cho mấy đứa nhỏ…”


Đau lòng gì đâu.

cái thời nào còn đi le te làm tình nguyện zớ zẩn, cũng ghé nhiều cái thư ziện sách “thanh niên cho mấy đứa nhỏ” rồi, toàn sách không rách thì vẽ bậy, ko vẽ bậy thì là truyện 3…người lớn hay là những thứ bỏ đi của nhiều người…Mấy đứa nhỏ ko có điều kiện đọc sách rồi, cũng quen với nhưng thứ mà người ta cho và quen với những thứ mà người ta bỏ, cuộc sống mí cục Búp đơn giản gì đâu.

Trẻ em như Búp trên cành…

Mấy chục năm rồi, những cái tủ sách thanh niên của mấy Búp cũng toàn là ze chai mà mí Búp zẫn zui…nhưng cũng chả thèm lui tới cái tủ, zà đứa coi tủ thì ăn ko ngồi ngáp đếm ruồi tháng tháng nhận lấy zài trăm.

Nài, có 1 cuốn sổ đoàn của 1 con bò sát đã chuyển zìa phường gòi hen.

Tui đang bao từng cuốn sách, ziết từng cái note cho các Búp zà cái tủ sắp tới. Tui sẽ lựa zà phân loại cái nào tui cân ký bán ze chai để mua giấy bao zà bút mào, cái nào bao lại zà cái nào đem ra làm zật thí nghiệm cho mấy Búp tập zẽ.

Còn lo nghĩa tới chiện bàn ghế zà quạt zà cái đứa chết tiệt nào coi Tủ mà thao.

Nhưng mà các Búp nè [ zỗ đầu], chị sẽ lựa sách cho mí em nha. ^_^ Ngoan, lớn gòi có hoa có trái hén!

Năm nay là năm VÌ TRẺ EM

Tui vì hành tinh tui iu quí!

* Có ai đó muốn quyên tặng sách cũ có nội dung phù hợp với thiếu nhi và thiếu niên thì để lại đây 1 lời nhắn cho Kl nhen.