Sketchbook 2013, done in 3hrs by PS CS5 and pencil brush
Posted by Poly Bernatene
The next step is to pull a sketch (or mess) of the image, which is not always definite, as seen here suggested the mirror is facing the right side of buildings in thumbnail.
Step into the pen clean end, finally opted for the mirror lying to the left along with all the artwork.
From here I do everything on the computer, with Photoshop! Scanning and apply the pencil (on multiply layer) on a previously textured handmade.
Once planted the light and shadow to paint step above all this base color with photoshop brushes created by me, pastels or pencils type according to need, like the traditional way to give the volumes and final details.
Copyright 2006 Poly Bernatene
Finally – DONE
Sleep all day
Here is my work: klbc’s Sketchbook 2012
Look forward the Beginning day of the TOUR!!!!!!!!
- Brooklyn, NYApril 14th-30th
Brooklyn Art Library
103A N. 3rd St
Brooklyn, NY 11249
- Chicago, IL
Hyde Park Art Center
5020 S. Cornell Avenue
Chicago, IL 60615
- Portland, OR
The Cleaners at the Ace Hotel
1022 SW Stark St
- Vancouver, Canada
W2 Media Cafe
111 W Hastings St.
- Los Angeles, CA
2147 W. Sunset Blvd.
Los Angeles, CA
- San Francisco, CA
June 2nd-June 23rd
- Greater Boston Area
25 Exchange Street
- Portland, ME
538 Congress Street
Portland, ME 04101
- Toronto, Canada
The Gladstone Hotel
1214 Queen St. W
- Philadelphia, PA
The Painted Bride
co-presented with InLiquid
230 Vine Street
Philadelphia, PA 19106
- Atlanta, GA
Aug 29th – Sept 1st
364 Nelson St. SW
- Austin, TX
Co-Lab Project Space
613 Allen St.
- Melbourne, Australia*
Russell & Flinders Sts
- London, England*
We recommend you read all the rules before e-mailing us with questions! Don’t let the rules scare you – they’re just here to help clarify the details!
Please send your sketchbook to:
Art House Co-op
C/o Sketchbook Project
103A N. 3rd St
Brooklyn, NY 11211
After you sign up to participate in the project, we’ll send you a package containing a custom-designed Sketchbook Project sketchbook with a barcode on it, your chosen theme, and detailed instructions about the project.
When you sign up for the project you will be able to choose from a list of 40 themes. You can select one for your book, or choose to have a theme randomly assigned to you. However, once you choose your theme you’re stuck with it – so please choose carefully. If you select the “random theme” button, the theme will be indicated on the sketchbook when you receive it (so please don’t email us about it prior to receiving your sketchbook in the mail). The themes are supposed to be a starting point, not a restriction, so remember to keep an open mind and consider the theme to be a guide.
The Exhibitions and Permanent Collection
After receiving the completed sketchbooks, the entire 2012 collection is exhibited on an international tour. Every completed sketchbook that we receive back in time will be included on the 2012 tour and cataloged and displayed in our permanent collection at the Brooklyn Art Library.
All dates and cities for the tour are subject to change.
The Digital Library
For a $20 fee, we will digitize your sketchbook and upload it to our online Library website. This means that people will be able to view your entire book online, leave comments, and tag it with subjects, media and other attributes. Sorry, but we cannot accept your own scanned images for upload to the website. This is a long process and the $20.00 goes toward the costs of manually scanning each page, building and maintaining the online database, and hosting the website.
Don’t forget that your sketchbook is touring the country with us – we don’t want to be stuck in a car with your book if it’s covered in foul-smelling chemicals or constantly dispersing glitter! Please try to avoid the use of ties, sharp metal objects, random plastic things, art materials that could smudge, glitter, or any hazardous materials. Please note that although participants are welcome to rebind the books, the overall dimensions should not change and the width of the book should be not more than one inch across.
Follow your book as it journeys across the continent! As a participating artist, you’ll be able to receive e-mail or text message notifications each and every time your book is checked out and read! Follow your sketchbook from city to city and connect with other artists and visitors as they experience your work. We’re not responsible for dropped texts, e-mail notifications that get sorted to the junk folder, or the costs associated with receiving text messages. Please note that notification settings can be changed at any time by logging in to your account.
This is a massive, international project and there are many costs associated with its operation. Your entry fee isn’t paying for a sketchbook – you’re helping to offset material and shipping costs while supporting the Brooklyn Art Library. Your entry fee also helps cover expenses related to the maintenance of the website and digital library, supports our dedicated team of librarians, and allows thousands of sketchbooks to travel more than 20,000 miles. Phew! Unlike many galleries, we do not jury work. Everyone who sends us their completed sketchbooks postmarked by February 1st, 2012, will be included in the tour and our permanent collection.
We do not offer refunds for artists who do not finish a sketchbook, regardless of the reason for incompletion.
We offer group discounts for any group over four. We also offer discounts for educational groups – please contact us directly for more information.
Mailing your work to us:
- Postmark your work by February 1st, 2012. We’ll do our best to get books into the tour that are mailed after this date, but we CANNOT guarantee it.
- Please do not send packages that require us to be there upon arrival or require a signature. If you do, we will do our best to receive the package. However, we are not responsible for packages returned to sender if we are not able to receive them.
- We try to check in work as quickly as possible. However, it is a lengthy process, especially close to the deadline. Please be patient while waiting to receive a notification that your book has been received and cataloged. Everything we receive will be checked in at least one week prior to the first exhibition date.
Your sketchbook will not be returned
We do not return sketchbooks. Your work will be included in the permanent collection of the Brooklyn Art Library and will always be available for viewing.
The Sketchbooks are not for sale.
Images on the Art House website
All the images in artists’ profiles and the project photos section are uploaded by the artist. Art House does not, and can not, upload or take photos of your work with the exception of official project digitization. If you want to upload your own images, make sure you take photos before you mail us your work.
Here at Art House, we do everything we can to keep your work in pristine condition. Unfortunately, unforeseen problems sometimes arise. We are unable to replace your work in the event of loss or damage. We are not responsible for missing, stolen, or destroyed artwork, but we’ll do our best to fix anything that happens. We know sketchbooks are a bit like children and we’ll treat them with care and respect!
Your work is your work. We will never ever sell your physical work without your express permission. We retain the rights to use your work in promotional materials and advertising across all formats. We also reserve the rights to publish your work in an exhibition catalog or other Art House publication. We reserve all copyright to any published materials. Please note that digital images may be shared and disseminated under a noncommercial Creative Commons license, in order to better share the Sketchbook Project with a global audience.
We will do our best to respond to your email in a timely manner. However, please remember to read through our FAQs and rules before contacting us. The best way to ask a question is to visit our support board. We cannot respond to all emails, especially around deadlines when things get extremely busy. Our thanks for your patience!
We document each exhibition and encourage participants and visitors to take photographs of the Sketchbook Project tour. Photographs of submitted books may not be used commercially without the consent of both the artist and Art House.
Summary of rules
Everybody likes to skip this part, but we recommend you don’t! We’ve kept it short and sweet:
- If you didn’t complete last year’s sketchbook, we cannot accept it for this year’s Project. Please sign up for the 2012 project to participate!
- Your book must remain within the dimensions of 1 x 5.25 x 7.25 inches. It can open up to something wonderful (of any size), but it must fold down to the original dimensions. You are welcome to unbind, rebind or alter the book in (almost) any other way. If you want to use a thicker stock of paper, go for it, but please do not make the book larger than one-inch thick.
- Your barcode must remain in place on the book – no moving or covering it. An altered or unreadable label means we have to disqualify you from the tour.
- You are free and encouraged to alter, design, and work on the cover of the sketchbook!
- The theme is a great starting point, but in no way is meant to be a restriction. If you feel limited by it, just loosen up and have fun. It’s just a guide!
- Your book must be postmarked by February 1st, 2012. No exceptions.
- We do not offer refunds (including the fee for digitizing) for people who do not finish a sketchbook.
- All sales are final! Please read the rules if you are unsure about signing up.
- If you do not receive your sketchbook due to a shipping issue, you have until November 15, 2010, to notify us. After that date, we are unable to issue refunds or resend sketchbooks.
- We reserve the right to switch sketchbook books, brands or sizes at any time without notice.
“Design the Polish edition of your favorite book”
First: $400 USD
Second: 1000 Polish Book Covers and Born Modern: The Life and Design of Alvin Lustig
Third: Pioneers of Spanish Graphic DesignJudges:
—Aleksandra and Daniel Mizieliński, editors of 1000 Polish Book Covers, founders of Hipopotam Studio, and book collectors
—Peter Mendelsund, book cover designer and the man behind Jacket Mechanical
—Will Schofield aka 50 Watts aka the guy writing this
—Submission deadline: Friday May 20th
—Artwork: jpgs, about 600 px wide, sent to 50wattsContest[at]gmail[dot]com
—The submission fee is zero dollars, made payable to the Ghost of Jan Lenica
—Does the title need to be in Polish? That would be really fun, wouldn’t it? (But if you can’t quite master Google Translate or the accents, don’t worry about it!)
—Who is eligible?: Anyone in the entire universe, not just Poland.
—What do you mean by the “Polish edition”? I’m asking you to create a fake cover in the style of the Polish book designers featured in this post and elsewhere on 50 Watts. Do I have a preference for styles from 1920 to 1985? I do, but don’t let that “cramp your style.”
—What is your ulterior motive? Pierogi endorsement.
—How to describe the contest to your friends to get them to submit: 50 Watts is a website giving $400 for a book cover design.
For an extremely literal example of what I’m talking about (and this is also where I got the idea for the contest), the Spanish illustrator Javier Olivares created a fake Polish book cover for one of his whimsical side-projects. The cover on the left is a real Polish book cover (I featured it in this post) and the cover on the right is Javier’s fake cover. Javier kept the title/author of the Polish book, something I DON’T want you to do. For this contest, I hope contestants will look at all the many styles of Polish book design featured on 50 Watts, and design a cover for their favorite book (if I was participating, I would design a cover for my favorite book Jakob von Gunten by Robert Walser) in one of those styles.
This post is also the last of a series on the incredible, I-can’t-believe-it-exists book 1000 Polish Book Covers. (The first post focused on the covers of Daniel Mroz, the second on 1970s-80s covers). Edited by husband-and-wife illustration/design team Aleksandra and Daniel Mizieliński of Hippopotam Studio, the book is a fat brick of inspiration (dimensions: 4-5/16″ x 6.5″ x 3″): 310 designers and illustrators, 1040 pages, 2.4 ounces, covering 100 years of Polish book cover illustration.
Here are some of my favorites.
1945, Franciszka Themerson, The Strange Duckie
1947, Franciszka Themerson, Mr. Tom Builds a Home
1954, Bohdan Bocianowski, The Good Soldier Svejk
1956, Janusz Stanny, The Lost World
1956, Jerzy Jaworowski, For the Young
1956, Jerzy Srokowski, The Story of Palemon the Pirate
1957, Jan Mlodozeniec, Tortilla Flat
1957, Janusz Stanny, My General
1957, Jerzy Tchorzewski, Smiles
1958, Andrzej Czeczot, Karol Xi’s Vision
1958, J. Zbijewski, The Life of Ants
1959, Ignacy Witz, Wedding in Atomice
1959, Stanislaw Zagorski, Hole in the Sky
1960, Adam Kilian, Dragon’s Battle
1961, Janusz Stanny, Brain Puzzles
1961, Jerzy Flisak, I Didn’t Tell You
1961 Konstanty Sopocko, Solaris
1962, Bohdan Butenko, And You Will Be an Indian
1963, Roman Cieslewicz, The Circus or the Emotions of Great-Grandparents
1963, Waldemar Andrzejewski, The Strange Case of Colonel P
1964, A.A.Kowalewski, The Enchanted Sound
1964, Barbara Pochwalska, The Battle on the Bzura
1964, Janusz Stanny, Past the Ninth Mountain Past the Ninth River
1964, Szymon Kobylinkski, Fables for Robots
1965, Jerzy Kepkiewicz, The Fourteen from Werbruta
1968, Franciszek Starowiejski, A Child Carried by a Bird
1968, Jerzy Jaworowski, The Little Feather
1971, Andrzej Strumillo, The fiancee from the Sea
(I actually featured this book before)
1974, Jozef Wilkon, Tiny
C A L L – F O R – E N T R I E S
designboom in collaboration with COLOMBO DESIGN promote an
international design competition. participation is open to to applicants
from every country in the world, to professionals, students, and design-enthusiasts.
free registration required.
participants are asked to design a versatile interior door lever handle to suit contemporary
forms of surrounding architecture, for both residential and public projects.
01 – the subject of the international competition contest is
hands on door handles
COLOMBO DESIGN, a leading italian manufacturer of handles and accessories for doors and windows,
is dedicated to a discerning quality of design that combines technological innovation with
excellence in industrial manufacturing procedures, adopting only eco-compatible processes
in every stage of production. the COLOMBO DESIGN state-of-the-art product catalogue features door handle
projects created by protagonists of today’s international design scene, among them
carlo bartoli, jean marie massaud, jasper morrison, michele de lucchi, alberto meda and konstantin grcic.
with this competition, COLOMBO DESIGN aims to expand the horizons of door handles.
the door handle is an exciting medium
in the field of internal door and window furniture the path between innovation and what is
considered repetition or re-design of ‘classical’ forms is narrow. if it is true that through the
years the most successful models have been variations on basic forms, it is also true that
door handles are an exciting medium for contemporary forms. along the qualitative line
of their long formal (sculptural) tradition, door handles have always expressed and matched
the changing lifestyle choices of society. this competition is a difficult aesthetic and technical
challenge to stimulate design innovation with much attention to detail.
for everyday use, and not for gadget display
we are not looking for excessive-aggressive styling or new radical high tech solutions.
please refrain from all those overworked concepts of randomly including interactive technologies
to encourage behavioral transformation. door handle designs with incorporated LED lights,
the latest cool audio or video gadgets, cell phones etc. will not be considered as relevant.
this is an opportunity of developing a real product, a simple, but important functional object.
the scope of the co-organizing company COLOMBO DESIGN is to manufacture the best door handles
of this competition.
the basics of door lever handle hardware
sweeping forms are great, a sleek and shiny appearance too, but please also consider that
indoor handles use commonly marketed mechanical parts, which are conforming to the
relevant building and safety standards. the actual sizes of the levers vary, but convenient
measurements have been widely adopted and hardware manufacturers make their products
to fit these standards. the bore hole size, cross bore size and the thickness of the doors are
to be considered, (in the case of non-standard door thicknesses, customized pins are available).
most door handle levers are mounted on a round rose, however new designs may include square,
oval and other shapes of roses. other important factors are robustness, the thickness of the
rose plates, smooth or angular finished edges (for purposes of visual accentuation), …
last but not least, the handle set itself (as a door has two sides, a door requires two handles
– a left and a right version).
experimental projects are very welcome and considered appropriate if they match the few technical
requirements cited. in this case, a pragmatic design approach of ‘making do’ to verify the quality
of your door handle design through mock-ups or prototypes is very appreciated.
02 – awards
the designers of 3 winning entries will be granted with cash prize awards
of € 3000 euro each.
the jury will also award the best free-style entry with a minor award of € 1000 euro.
there is the opportunity for finalist / winning designs to be developed into real products
for the COLOMBO DESIGN design catalogue. in the event that COLOMBO DESIGN exercises the option
to use the rights for production on an exclusive basis and sine die (without time limitations),
COLOMBO DESIGN undertakes to pay a royalty of annual sales to the designer.
and as always, designboom will publish an exhaustive results report.
03 – jury
jury is in process of being selected
04 – design criteria
projects should not be currently in production,
previously published or exhibited projects are not accepted!
it is important that you keep your design(s) confidential until the results of
the competition are published.
the jury will award designs and concepts which are innovative in terms of their formal aspects.
please don’t send in vague concepts, but go a step further. it’s not the idea which is the art,
it’s more the way somebody handles the idea that makes art.
05 – registration deadline
application registration will be accepted through april 20th, 2011.
06 – registration
registrations are open now, please fill in the form.
teams register with one name only.
– when submitting works you should add all team member’s names.
07 – submit your entry / entries
if you are entering more than one work,
please submit each work separately
you will be requested to supply:
1. up to 3 files for uploading to designboom
images or a composition of more images) of your project.
please note: use only .gif, .jpeg, (72 dpi) max 100 kb each file, RGB color mode.
image size: 650 pixels width X max 800 pixels height.
to upload your images please note:
use only .gif, .jpeg, (72 dpi) max 150 kb each file, RGB color mode.
the entry submitted is a low-res version of your original work.
these original high-resolution image(s)
will be requested only if your work is shortlisted.
2. explanation of ideas
a brief description of your design.
(english text only, explanation is expected to be very concise)
3. you will be requested to accept the competition guidelines
competition guidelines: projects participating to the competition,
must be original works. projects must be free from copyrights
and any kind of obligation. the design shall not in any way infringe
any third party’s right, including but not limited to copyright, logos,
trademark, trade names, or other proprietary rights of publicity or
privacy. only entries with a declaration of authorship are accepted !
(when submitting your design you will be asked to tick a box of declaration)
08 – deadline for submission of entries
works can be submitted through april 26, 2011.
09 – announcement of the results
results will be announced on june 2011
the jury’s selection is final and is not debatable.
10 – intellectual property rights
any moral and paternity right regarding the project sent in for submission is the designer’s property.
by submitting a design in the competition, the participant agrees to provide
COLOMBO DESIGN with the right of first refusal to the exclusive use of
the design. this option is valid for 6 months after the competition will end.
in the event that COLOMBO DESIGN exercises the option to use the rights for production
on an exclusive basis and sine die (without time limitations),
COLOMBO DESIGN undertakes to pay a royalty of annual sales to the designer.
by participating in the competition, all participants authorise DESIGNBOOM
and COLOMBO DESIGN to publish and exhibit all the designs (including project data submitted)
– waiving compensation – at exhibitions and events and/or to use them in any
publications or communications that the organisers may deem suitable and/or necessary.
11 – questions?
inquiries to firstname.lastname@example.org
make sure to write
hands on door handles in the subject line.
11 – info on COLOMBO DESIGN
Ai đó, nó đã dại đột kiu tui tự zới thiệu bản thưng….ây za…
có nợ máo zí nhiều người nhưng ko ai biết.
ko thix nói nhiều nếu như ko ai khiến phải nói nhiều.
già rồi mà còn phải làm lại cuộc đời nên khó chịu.
nhưng nhí nhố thì vẫn nhí nhố.
tui muốn làm cái gì tui thix.
tui thix ngủ.
sự đời ko như là mơ…
=> THIẾU NGỦ.
tui muốn làm cái gì tui thix.
tui thix vẽ.
sự đời nào ai có ngờ…
=> KHÔNG CÓ THƯỜNG XIÊN ĐƯỢC VẼ.
tui muốn làm cái gì tui thix.
tui thix cái tui thix.
sự đời cứ việc tơi bời.
=> TUI ĐI NGỦ ZÀ TUI CỨ VẼ THÔI.
đứa nèo phản đối teo chém !